About Spank

Repertory

Performances

Video

CCDMA/Classes

Links


Spank Dance Company

Ellen Bartel was born on Long Island NY. She Attended college at the State University of New York at Potsdam (SUNY Potsdam), where she graduated with a Liberal Arts degree in Modern Dance and Philosophy. After moving to Austin in 1994, Ellen began her carreer in choreography and dance.

Spank Dance Company is the heart of Ms. Bartel. It encompasses the true vison of a movement artist who wishes to speak to individuals in a voice that touches the brain and the body in ways that no other form of communication can. The work of Spank Dance Company is more than dance. It is a visual art. A choreographed sculpture of multiple dimensions moving through time and space.

Spank Dance Company will not look like dance sometimes and is a refreshing extension of an often miss-understood art form. Ellen is aware of the lack of connection that dance, especially modern dance, can have with its audience. Becuase of this, she is actively striving to bridge the gap between the audience and the artform.

Bartel brings a truly unique perspective to the process of creating dance. She believes that the process is largely about understanding scales in time and space to develop multiple levels of interest to her dances.

home


What some critics have to say about Spank Dance

"Joyous and original"- B.B About the Dance Carousel

"Not only a much-needed leader and collaborator for the indie dance scene, Bartel continues to deliver with sharp new creations of her own." Jeanne Claire van Ryzin

"dancers interact with each other in ways that are interesting to the eye and which spur the audience's sense of narrative"-WAB about Greayhounds and Other...

"Its beautiful, Its startling, It's a wholly finished masterwork"- WAB Austin Chronicle about Brenda Meets Barbara

"A pioneer in modern dance"-RF Austin Chronicle

"there was never a moment when I was not entirely stimulated and intrigued, more then a few moments when I was was completely surprised, numerous moments when I laughed out loud, and some moments when I was moved to tears" - About Dance Carousel

"I enjoyed not only the execution of the piece but the rippling effects of linkages I have discovered upon further reflection"-DD Austin Chronicle about Ascension/Descend.

"Bartel handled multiple strands of action expertly amusingly" -MB Austin American Statesman about Midnight Playground

"If filmmaker David Lynch were a choreographer and he brought to that field all the skills and tallents he displays in creating movies...he might create somethng like Black Things...A night of kinetic and photic brilliance"-WAB Austin Chronicle about Black Things

statesman Spank's on XL's Fortunate 500 list 2007

statesman1Spank's on XL's Fortunate 500006

2006 Dance Carousel #7 on the Top Ten list of most memorable Locally Produced Performances

2001 Midnight Playground nominated for Critics Table Award

1999 Ascension/Descend #10 Top Ten Dance Events

Link to "Earth Moves" Article in Austin Chronicle 2005

You-Tube Video from 8/12 performance at Austin Figurative Gallery Inerview here


Community Projets

Hot September Flurries 2005-2007

Dance Carousel 2004-

AIC "The List", and emial list serve 2003-

and a short rant


statesman2 blog-site "Out and About" by Michael Barnes 1/19/06:

"Under the golden sun, lunched with Ellen Bartel, the unacknowledged leader of the Austin dance community. We talked about the 60+ members of her independent choreographers collective and the state of the local dance scene. She sees the whole picture and gets things done. She also calmed me after my stressful parking adventure at Whole Foods Market. Perhaps because I was so stressed, I received a little attitude from the Trattoria to Go attendant, but enjoyed my Caprese salad and lemon-lime spritzer."

Hot September Flurries:

chron1Link to "Dance Fever" Article about Hot September Flurries 2005

chron review 2007 here

logo review 2007 here

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hsf3hsf2

September , 2005-2007 @ Blue Theater, a monthlong dance event at the Blue Theater

HSF strives to present quality contemporary dance that explores diverse concepts within the movement arts. We encourage experimentation from choreographers to stretch their own ideas of dance, collaboration, and performance excellence. We seek to engage the audience through fresh new ideas that are challenging and fun, with a strong emphasis on community building through each individual voice.

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2005

Raisha Abdulrahim 9/20-9/22
Chika Aluka 9/20-9/22, 9/20-10/1
Ellen Bartel: Spank Dance Company (coordinator of Hot September Flurries) 9/9-9/11, 9/15-9/16
Megan Beronio 9/20-9/22 dancer
Toni Bravo: guest 9/20-9/22, choreographer/dancer
Shari Brown: 9/20-9/22, 9/29-10/1,
Amanda Butterfield: 9/15-9/16, dancer
Karli Calhoun 9/20-9/22
Chris Cogburn : 9/17-9/18 drummer
Amy Cone: 9/15-9/16,choreographer/dancer
David DeBlieck: Wicked Sister guest (Minneapolis) 9/30-10/1,
Lisa DelRosario:9/15-9/16, dancer
Andrea Dennison 9/15-9/16, dancer
Luke Dunlop: 9/9-9/11,photographer
Rachel Donelson: 9/20-9/22 dancer
Elaine Dove: 9/20-9/22, 9/29-10/1, dancer
Sydney Espinoza 9/20-9/22 dancer
Amanda Evans: guest 9/9-9/11, 9/29-10/1 choreographer/dancer.
Chell Garcia-Trias: 9/15-9/16, dancer
Lola Getz :9/15-9/16, dancer
Andy Hadaway: 9/20-9/22, composer
Kathy Dunn Hamrick: guest 9/29-10/1, choreographer/dancer
David Harris: guest (Minneapolis) 9/30-10/1, choreographer
Alison Hart: 9/29-10/1, dancer
Ashley C. Hogan: 9/15-9/16, dancer
Daniel Horner:9/15-9/16, dancer
Natalie Houchins: 9/20-9/22 dancer
Angela Johnson 9/20-9/22 dancer
Genevieve Kinney: 9/15-9/16, dancer
Erin Lane: 9/20-9/22 dancer
Sharon Marroquín: 9/9-9/11, 9/20-9/22, 9/29-10/1, choreographer/dancer
Debora McAdoo: 9/29-10/1, dancer
Jennifer Micallef: 9/17-9/18 dancer
Karen Morris:9/15-9/16, 9/20-9/22, 9/29-10/1, dancer
Amanda Moulder: 9/15-9/16, dancer
Julie Nathanielsz: 9/17-9/18, 9/20-9/22, dancer
David Nayer 9/20-9/22 dancer
Rachel Nayer 9/20-9/22 dancer
Kurt Newman: 9/17-9/18 guitarist and improvisor
Lisa Nicks: 9/29-10/1, dancer
Chelsea O’Hara 9/20-9/22 dancer
Allison Orr: Forklift Danceworks, 9/20-9/22, choreographer/dancer
Melody Patterson Zoch: 9/20-9/22, 9/29-10/1dancer
Cindy Pitts: 9/15-9/16, dancer
Stephen Pruitt: lighting designer
Patton Quinn:9/15-9/16, dancer
Matthew Reading: 9/9-9/11, photographer
Lucia Rodríguez 9/20-9/22, 9/20-10/1dancer
Tracy Sadler Machalek: 9/29-10/1, dancer
Phyllis Schwartz: 9/29-10/1, dancer
Ray Eliot Schwartz: Elsewhere Dance Theater 9/9-9/11, 9/29-10/1, choreographer/dancer
Michel Scott: 9/29-10/1, dancer
Cherami Steadman: guest 9/20-9/22, 9/29-10/1, choreographer/dancer
Nancy Stern Bain: 9/15-9/16, dancer
Sam Stolte: 9/20-9/22, composer
Adam Sultan: 9/17-9/18 musician
Caroline Sutton Clark: Wicked Cricket Dance Theater 9/29-10/1 choreographer/dancer
Lindsey Taylor: guest 9/20-9/22 9/29-10/01 choreographer/dancer
Lauren Tietz: Improvisation Movement Project, 9/17-9/18 co-director/dancer
Kayo Tsujimoto: 9/9-9/11, 9/20-9/22, 9/29-10/1 choreographer/dancer
Randi Turkin: 9/15-9/16, dancer
Kate Van Dyke 9/20-9/22 dancer
Roberta Villalón: 9/15-9/16, dancer
Kate Warren: guest, 9/29-10/1 choreographer
Nicole Whiteside: 9/20-9/22, 9/29-10/1, dancer
Christine Wong: 9/29-10/1, dancer
Frank Yezer: 9/9-9/11, dancer
Matt Young: 9/29-10/1, dancer

2006
Chika Aluka
Andrea Ariel: 9/8-9/10, 9/14, 9/16 choreographer/dancer/video
Ellen Bartel: 9/14, 9/16, 9/21-9/24 choreographer/dancer
Toni Bravo: 9/15, 9/17, choreographer/dancer
Amanda Butterfield: 9/15, 9/17 choreographer/performer
Enrique Cabrera: 9/21-9/24 dancer/poet
Jeremiah Clifton: 9/21-9/24 dancer
Andrea Comola:9/21-9/24 choreographer/dancer
Amy Cone: 9/8-9/10 choreographer/dancer
Lisa DelRosario: 9/8-9/10, 9/15, 9/ 17 choreographer/dancer
Leona Dixon: 9/21-9/24 dancer
Julia Duffy: 9/21-9/24 dancer
Jeannie Elliot:9/21-9/24 dancer
Elsewhere Dance Theater: 9/15,9/17 video
Chanda Gaither:9/21-9/24 dancer
Liz Ganz: 9/8-9/10 choreographer/dancer
Kathryn Gonzales:9/21-9/24 dancer
Kirstin Grbic 9/21-9/24 dancer
Andy Hadawy: 9/21-9/24 composer
Kelly Hasandras: 9/21-9/24 “Ta’s” assistant
Nicole Jensen:9/21-9/24 dancer
Angie Johnson: 9/15, 9/1, 9/21-9/24 dancer
Jayne King: 9/14, 9/16, 9/21-9/24 dancer/video (guest)
Megan Knotz 9/8-9/24 video, (Thermogenesis)
Dawnerin Larrimore: 9/21-9/24, dancer
Sharon Marroquín: 9/8-9/10, 9/21-9/24 choreographer/dancer
The Modern Dancers' Co-Laboratory: 9/21-9/24 guest company
Georgina Morgan: 9/21-9/24 dancer (guest)
Amanda Moss:9/21-9/24 dancer
Shay Nichols: 9/21-9/24 voice (guest)
Laura Phelan: 9/14-9/17 musician (pre-show guest)
Mandie Pitre: 9/14, 9/16 choreographer/dancer
Kenya S. Masala: 9/8-910 composer
Elizabeth Palmer:9/21-9/24 dancer/choreographer
Janine Ploetz: 9/21-9/24 dancer
Melissa Rentrop: 9/15, 9/17 performer
Kate Robinson: 9/8-9/10 improvisationalist
Spoken Word Artist La-Love Robinson: 9/21-9/24 dancer
Michael Scott: 9/14,9/16 video
Pamela Shahan: 9/21-9/24 dancer
Matt Shields: 9/21-9/24 dancer
Dot Smith: 9/15, 9/17 puppeteer
Anna Talley: 9/21-9/24 dancer
Lindsey Taylor: 9/8-9/10, 9/15,9/17, 9/1-9/24 choreographer/dancer
Zenobia Taylor: 9/15, 9/17 choreographer/dancer
Lauren Tietz: 9/21-9/24 choreographer
Carrie Vicana: 9/21-9/24 dancer (guest)
Roberta Villalón: 9/21-9/24 dancer
Melissa Villarreal:9/21-9/24 dancer/choreograper.
Laura Vriend:9/21-9/24 dancer (guest)
Emily Wagoner:9/14,9/16 video
Kate Warren: 9/14,9/16 choreographer
Vidya Ramirez-Wheeler: 9/15, 9/17 performer
Lighting Designer: Natalie George
House Manger: Mari Akita

2007

Chika Aluka:. solo , 14-16 performer, group , 21-23 choreographer
Katarina Arneric: group weekend, 21-23 performer
Ellen Bartel: Spank Dance weekend, 28-30 choreographer
Mandy Beittel: group weekend, 21-23 performer
Guilia Biow: group weekend, 21-23 performer
Meg Brooker:: solo weekend, 14-16 performer
Amanda Butterfield: solo weekend, 14-16 performer
John Box: group weekend, 21-23 performer
Mary A. Chase: group weekend, 21-23 choreographer
Caroline Sutton Clark: solo weekend, 14-16 performer, group weekend, 21-23 performer
Stephanie Campbell: group weekend, 21-23 performer
Andrea Comola: group weekend, 21-23 choreographer
Miss Darlene: Spank Dance weekend, 28-30 musician
Yebel Gallegos: group weekend, 21-23 performer
Paola Georjudis: group weekend, 21-23 performer
Christy Sadler Gorman: group weekend, 21-23 performer.
Andy Hadawy: Spank Dance weekend, 28-30 composer/musician
Paula Higa: group weekend, 21-23 choreographer
David Justin: group weekend, 21-23 choreographer
Rhianon Renae Kjar: group weekend, 21-23 performer
Dawnerin Larrimore: Spank Dance weekend, 28-30 performer
Erin Lee: group weekend, 21-23 performer
Colin Lowry: Spank Dance weekend, 28-30 video design
Elissa Marshall: group weekend, 21-23 performer
Sharon Marroquín: solo , 14-16 performer, group , 21-23 choreographer
Lisa Nicks: group weekend, 21-23 choreographer
Steve Ochoa: group weekend, 21-23 performer
Mandie Pitre: solo , 14-16 performer, group , 21-23 performer
Janine Ploetz:
Erica Santiago: group weekend, 21-23 performer
Leslie Scates: group weekend, 21-23 performer (Ranchdancer)
Zenobia Taylor: solo weekend, 14-16 performer
Kate Warren: group weekend, 21-23 choreographer
Maggie Wilhite: Spank Dance weekend, 28-30 performer
Matt Williams: group weekend, 21-23 co-choreographer
Catherine Zahrn: group weekend, 21-23 performer

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Dance Carousel:

lunchjandc jandc2 nancy

J. Jobst- Tietz

T. Williams-Bartel (bow)

T. Williams-Sheep Army

T. Williams-Carlson

January, 2004-current @ BlueTheater Frontera Festival: 40 dances in 40 minutes
Through an innovative challenge we ask choreographers to break away from the standard idea of what a dance can be through a simple shared concept. SDC believes that the artists must experience new creative challenge in order to be encourage to grow. We seek to engage the audience through fresh new ideas that are challenging and fun, with a strong emphasis on community building through each individual voice.

Choreographers 04: Nancy Bain, Genie Barringer, Ellen Bartel, Jim Chappeleaux, Kayo Tsujimoto, Cristina Jesurun, Nancy Moran, Ellen Stader, Caroline Sutton Clark, Lauren Tietz.

Choreographers 05: Ellen Bartel, Amy Cone, Karin Carlson, Mendy Holliday, Cristina Jesurun, Peggy Lamb, Sharon Marroquin, Nancy Moran, Ray Elliot Schwartz, Caroline Sutton Clark.

Choreographers 06: Andrea Ariel, Ellen Bartel, Megan Knotz, Dawnerin Larrimore, Chrissy Leach, Tracy Sadler Machalek, Ashley Parker Overton, Mandie Pitre, Jennifer Tietz, Randi Turkin

Choreographers 07:Elsewhere Dance Theater, Forklift Danceworks, Chell Garcia, Mendy Holiday, Sumi Komo, Sharon Marroquin, Lisa Nicks,Molly Roy, Michelle Owens Pierce , Spank Dance

Choreographers: 08: Ellen Bartel, Nancy Bain, Rhianon Renae kjar, Myia Little, Annie Hudson, Amanda Oakely, Laura Noose, Leah Tubbs, Randi Turkin, Caroline Sutton Clark

chron2 Articles and reviews:

2004

2005

2006

2007

2007

2008

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Austin Independent Choreographer email list or "the list"

AUSTIN INDEPENDENT CHOREOGRAPHERS is a network of Austin-area dancers and dance-makers who share resources toward the cultivation and presentation of dance, as well as information onlocal and national dance interests, opportunities, education and performances.

SOME FACTS ABOUT AIC:
There over 200 choreographers, dancers and dance companies on our list.

AIC is an unofficial group; there is no website or calendar.

The network is managed by email managed by Ellen Bartel of SDC send email to: spankdance@hotmail.com if you would like to be on " the list" .

There is no obligation or fee to participate in the network.

There is no umbrella, no outside funding, no central location, and no "leader."

The central objective is to promote our art form as individuals and as a community. That goal alone keeps the organization growing and moving forward.

From dancers on the list:
_____________________
But of course Ellen Dear!!
Your email list keeps me informed of things performances coming up,
classes that are happening and jobs/opportunities that are "out" there
in our neck of the world. I don't often go searching paper or web for
these things because of busy life schedule - but I do read my emails.
You are wonderful!!
Jim Chappeleaux
______________________
I contacted Ellen when I moved back to Austin a few months ago and she
put me on her email list. Through her emails I was able to find out
about auditions and network into the dance scene in town. Since
moving here in August, I have been hired by 7 dance companies and
Ellen's email list was a valuable resource.
Thank you,
Julia Langenberg
__________________________
Being included on the Austin Independent Choreographer's email list has helped me, as a dancer, become more involved in the local dance community. It keeps me informed of auditions, offers me projects for collaboration, suggests dance employment opportunities, and is the most comprehensive calender for Austin dance performances that I have found. Best of all, it is interactive - as a (free!) list member, I can send information throughout the dance web and keep the communicative cycle alive.

Laura Noose
__________________________

I think these e-mails are great! They keep everyone unified amongst all
the diversity of dancers in town. It's really nice to be informed so
conveniently about shows, auditions, and job opportunities; there are times
when I actually hadn't heard about a show anywhere else and would have
missed it otherwise!
--Andrea Williams

Hi Ellen, I hope all is well!

This is the ONLY dancer email list that I know of in this town. It is an invaluable resource for the dance community; it is a way to disseminate information about performances, classes, and other projects - it provides a simple way for performers, choreographers and movement educators to connect and build an even stronger, more vibrant dance community.

Best,
Andee Scott
______________________________________

Spank dance email has been a tremendous help in locating dance events and much needed info for the Austin dance scene. I am a newbie in Austin without connections and it has been the community board I was looking and hoping for.

Cheryl Chaddick
____________________________
The email for the Austin Independent Choreographers, managed by Ellen Bartel, is a real asset to the dance community. It connects many dancers to resources, opportunities, and affiliations that they might not have found. An email list is a great way for dancers to share work, as well as for people outside the field of dance to access when they need a dancer. It has been a unifying force for the dance community, which is sorely needed in Austin, where many independent dance artists live and teach. It creates a network of communication for dancers to support each other's work through teaching opportunities, audition announcements, and class listings. I feel a much stronger sense of dance community since Ellen started this email list.

Thanks Ellen.
_______________________________________

The email updates gathered and distributed by Ellen Bartel are fundemental to the fusion of Austin's dance community, offering an easy and reliant way to circulate information.

Robin
__________________________________
Hi Ellen:

Here it is: our testimonial regarding this list.

Ellen provides a much needed link for us into the
dance community. Since we travel often, it is easy for
us to lose our community in Austin. Due to Ellen's
frequent, brief, and informative emails, we always
know what's going on and can involved.

There ya go! I hope it helps. Good luck with the
process.

Caitlin
_______________________________________
I absolutely rely on Ellen Bartel of SpankDance Company and her contact
list, to keep me posted on what's happening in all forms of dance, movement
arts, and related performance venues, including: upcoming shows, auditions,
classes, workshops, guest artists visiting Austin, and dancers seeking
employment. There is no other comprehensive consistent listing available to
dancers and dance lovers in Austin, and I am most appreciative of this
service.

Lisa Nicks
Choreographer
Dancer
Theater Arts Lover
___________________________________________
Thank you so much for adding me to the list.
Lucy

Ellen Bartel is keeping not only the local Austin dance community informed, but for former Austin dancers, she is providing an invaluable service. With personal and professional contacts in Austin, even though I live in another state, now I am informed about what is going on in Austin and I can easily plan my travels to continue to support the Austin dance community. Thank you, Ellen, for your "Everybody does better when everybody does better" attitude! (thanks to Jim Hightower for the quote).

Lucy DuBose, MA, CMA, Arkansas Artist-in-Education
(former Austin dancer and one of the founding members of Austin Dance Umbrella).
________________________________________________________
You go, girl!

Ellen's e-mail list has provided a valuable source of
contacts and constantly updated information for me in
the Austin dance community. It promotes community and
group excitement about possibilities and resources to
produce, promote, and participate in dance in Austin.
Thank you, Ellen! -Karin.
___________________________________________________
" The list" that Ellen Bartel has comprised has been a very powerful tool for the dance community. It is powerful in that it created a network for dancers and choreagraphers thus strenghening the dance community within and of itself. It is a tool to keep in communication. It has served as sort of a "craigs list" for the dance community. It ,among countless other things, is an invaluable tool Ellen has created to promote and support dancers.

-Mandie Pitre

"Wanderlust Dance Theater
_____________________________________
Hi Ellen,
Here goes for the testimonial you need:

As a performer, choreographer and dance teacher who moved here from New York City, the loosely knit Austin Independent Choreographers' group has been a life line for me to stay involved with the dance comminuty and to communicate with others in my field. The frequent e-mails to our ever-growing list of contacts is incredibly valuable. I always know when a friend or colleague is performing, when dance events are taking place in Austin, when choreographers need assistance, when new space is available, and when personal news is shared. Because of my very busy schedule, I rely on these e-mails more than any other source for staying informed about the dance community in Austin. I can't function without it!

Nancy Stern Bain

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_____________________________________________________________________

Building a dance audience and dance company in a small city in the new millennium. (still working on this)

To be specific Modern Dance.

Around 2002-2003 the Austin dance community was in sad shape. There were a generation of choreographers starting to build their companies in a community of artists who had completely tuned-out to everything around them (or so it seemed). Little information was being shared regarding how to get started, how to market company development, or give artistic feedback. There was general lack of support or interest from the ONE dance organization in town and the current generation of dance companies seemed unwilling to give feedback or even attend an invitation to a “comped” show. Something had to be done or this community that I have invested my life in was going to disappear or become very lame. I didn’t want to move, I love Austin.

There are plenty of services and consultants to tell you about trends, marketing, grant writing, fund-raising, non-profit and audience development. I know, I have spent a lot (A LOT!) of money and time attending these meetings and private sessions. They are all interesting yet very broad suggestions telling artistic directors and/or board members very specific steps to generating audience and capital, however there is a reality blocking the actual implementation of all theses ideas for the small artists who wants to be successful.

Money and time. Austin just does not have the support from the dance community and dance lovers to power the “machine” of free labor to accommodate the work needed to fund-raise and market the average dance company. The work is then left up to the artist themself. Working exceptional hard for a one time performance is one thing, but since the “arts” is my career of choice I really needed to look at the stress toll brought on by working so hard for something that I want to do for the rest of my life or a significant portion of it.

I decided that there were a couple of factors that have to be addressed before I try to make Spank Dance Company a larger successful dance company. I can’t grow without my community growing with me. It would be like building a house on sand.

First:

The dance community needs to be more supportive and knowledgeable of the other artists work.

Which means to me that: the dancers need to take classes and workshops locally, the choreographers need to attend their piers performances, discussion about local needs and interests (funding, space, marketing) need to be thought of as a whole and not specific to each separate company only, there needs to be a main “hub” for dance artists to receive information about what is going on, there needs to be more opportunity for emerging dance artists and collaborative efforts that support growth and excellence.

In my opinion addressing these needs would create knowledgeable discussions about the dance community to potential audiences that consist of dancers and non dancers alike.

Second:

Stability, consistency and excitement need to be generated by the artists to inspire lasting and loyal audiences to the community as a whole as well as the individual dance companies.

Which means to me that: the choreographers who create work but are not interested in “self-producing” need opportunities to show their work in professional showcases, audiences need to know where to see modern dance in town, there has to be a main “hub” for audiences to find out what is going on in the dance scene, there needs to be a professional “dance festival” at the same time every year that both audiences and dance artists can mark their calendars, and dance more visible to the average person.

In my opinion fostering an environment for artists to get excited about showing work, finding a consistent venue to see performances, and designing a website that had a calendar of events would turn people on to dance.

Third:

Jobs, opportunity, and building blocks to future generations of artists and current artists need to be fruitful, interesting and financially stable.

Which means to me: Austin needs to be part of a national networking dance community that is managed by a person who is non bias and passionate about the local artist but is not an artist themself, that schools and business should be knowledgeable about the artists and incorporate the movement arts into curriculum and extra curricular activities and events, and that the artists in Austin grow with the city -become more visible-and keep up with trends.

In my opinion Austin needs a managing organization that is viewed as a stepping stone or a catalyst for smaller companies to grow with professional assistance.

______________________________!

How has Spank Dance Company addressed some of these observed needs to make modern dance more visible and assist in fostering current and new generations of dance artists?

In 2002 myself and about seven other dance artists started a small group called the Austin Independent Choreographers. The main idea was to build community for new dance companies.

In 2003, while working for Dance Umbrella, I started an email list of choreographers and dancers to tell each other about shows and classes. This list has merged with the Austin Independent Choreographers list and is now over 130 strong; not only has new and current choreographers but some of the heavy hitters in town including: Tapestry, Kathy Dunn Hamrick, Sally Jacques, and Yakov Sharir. It is affectionately known as “the list” and with very little effort on my part I send out information about the dance community with no fee, no registration, and no obligation right from my home office.

In 2004, through the help of AIC, I started the Dance Carousel. An annual showcase of dance performed through a theater festival in town known as Frontera Festival. The Dance Carousel takes 10 choreographers and cycles their dances through 4 sections each performing a one minute dance. It is 40 dances in 40 minutes. This is a successful and fun way to show off the dance community and draw a large audience to one place during the same time of year.

In 2005, through an opportunity offered to me by Refraction Arts and the Blue Theater, I developed a month long dance event/showcase/festival called the Hot September Flurries. It is a designed by a handful of new generation choreographers to inspire creativity from artists, and be inviting to an audience. Through our theme based challenges and theme based collective ideas we build a month-long event. The theme based ideas (like a solo weekend, or dances about garbage) I believe unifies the showcase and tells something about an art form that people have great difficulty relating to. (? not quite a complete thought yet)

I refrain from calling HSF a “dance festival” because it is not an open "call to artists" at this time. I invite individuals who I think are a great representation of the diversity of modern dance in town, from improvisation, to performance art, to theatrical dance, to collaborative dance, and traditional contemporary modern. It is important to me at this time that for Austin is showing the best of the best of new dance artists. In the near future I see the event becoming more open to first time choreographers, but I hold off on the idea for right now.

For my own art work as a dance artist I take on the role of Artistic Director of Spank Dance Company:

We are continually trying to generated new audiences by: developing different arms to the company like cool.dance., art for public spaces, teaching, facilitating dance showcased, and finally, showing dance videos on the website and myspace.